Cream Pedestal Bowl by Aya Yuki

$125.00

Softly luminous and poised on an elegant foot, this Cream Pedestal Bowl carries the same serene white glaze used in Aya Yuki’s Cream Katakuchi. The glaze was originally developed at the request of a chef in Noto, who envisioned vessels worthy of offering dishes before the divine. Deeply moved by this intention, Yuki continues to explore the glaze for its quiet purity and subtle texture.

As the clay and glaze react in the kiln, fine tonal variations emerge—creating a soft, matte surface with gentle depth and a calm, natural presence.

approx. 105mm D x 73mm H (4” x 3”)
$125 AY11
These are all made by hand, so each one may differ from the photo and listed measurements.

クリーム高台鉢
結城彩

柔らかな光沢をたたえたこの「クリーム高台鉢」は、「クリーム片口」と同じ釉薬を使用しています。能登でレストランを営む料理人からの依頼で生まれた釉薬で、神前に供える料理の器を思わせるその発想に、作家は深く心を動かされたといいます。

焼成の際に土と釉薬が穏やかに反応し合い、表面に繊細な揺らぎや奥行きが現れます。高台のかたちが器全体に静かな品格を与え、シンプルでありながらも、深みのある存在感を放っています。

Softly luminous and poised on an elegant foot, this Cream Pedestal Bowl carries the same serene white glaze used in Aya Yuki’s Cream Katakuchi. The glaze was originally developed at the request of a chef in Noto, who envisioned vessels worthy of offering dishes before the divine. Deeply moved by this intention, Yuki continues to explore the glaze for its quiet purity and subtle texture.

As the clay and glaze react in the kiln, fine tonal variations emerge—creating a soft, matte surface with gentle depth and a calm, natural presence.

approx. 105mm D x 73mm H (4” x 3”)
$125 AY11
These are all made by hand, so each one may differ from the photo and listed measurements.

クリーム高台鉢
結城彩

柔らかな光沢をたたえたこの「クリーム高台鉢」は、「クリーム片口」と同じ釉薬を使用しています。能登でレストランを営む料理人からの依頼で生まれた釉薬で、神前に供える料理の器を思わせるその発想に、作家は深く心を動かされたといいます。

焼成の際に土と釉薬が穏やかに反応し合い、表面に繊細な揺らぎや奥行きが現れます。高台のかたちが器全体に静かな品格を与え、シンプルでありながらも、深みのある存在感を放っています。

Deep Rim Bowl by Aya Yuki

Creating a Sky Full of Stars

Aya Yuki creates wonderfully beautiful works full of subtlety and depth, much like gazing at a star-filled night sky. The more you look, the deeper you can go. And this is reflected in the name she has chosen to brand her work -- 天の (tenno). “Ten” means “sky” in a poetic way in Japanese, and a friend suggested the name to her, telling Yuki that she should make millions of works like stars in the sky. We think it is a perfect name.

Aya was born in Nomi City, near Kanazawa in Japan’s Ishikawa Prefecture, which has long been a center for traditional Japanese crafts. She began her career there at Kutani-Yaki Studio. Her inspiration is simple. She is fascinated by the process of applying heat to clay to create a beautiful object.

“There is clay, there is the wheel, there is glaze, and I fire them in kiln,” says Yuki. “I want to inspire people about how this simple process creates such an intricate and complex looking object.”

Her works have a beautiful texture with layers and depths of colors, which we tend to mistake as pottery, but these are actually porcelain. She allows her creations to cool slowly in the kiln, bringing out the subtle colors and hints of sparkles ingrained in them. It’s a stunning effect.

Aya says she has no particular artist who influenced her, but draws daily inspiration from a person who saw her work and taught her about Zen Buddhism. She began to research Zen, and applies it to her life and her work. Her days are always busy, but she has an approach -- a mantra -- she uses. “Keep calm, it’s ok, is my chant everyday,” says Yuki. “My wish and my hope is that this leads to the truly calm future.”

Examining her exquisite creations, we can see her inspiration and in turn are inspired.